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When an attack on the Kingsman headquarters takes place and a new villain rises, Eggsy and Merlin are forced to work together with the American agency known as the Statesman to save the world. Kingsman: The Golden Circle 2017 review : This _Kingsman_ sequel might not be an outright terrible movie, but it is a **massive** disappointment. Virtually every enjoyable aspect of the first movie has been either turned down to and unsatisfyingly low level, or blasted way the fuck up into the realm of off-putting nonsense. _The Golden Circle_ somehow manages to both underserve all of its elements, while still feeling far too long. A couple of good fights, nice suits and maybe a single laugh can be found throughout the movie, but it does not do the original one iota of justice.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ This is indeed a silly, even childish at time, movie but to me it was also a really really fun movie to watch.
The movie starts by the Kingsman organisation getting screwed over royally by the psychopathic Poppy Adams which forces what remains of the organisation, all two people, to work with their counterpart in the United States. Just as the Kingsmen are parodies on the stiff upper lip British gentleman the Statesmen are parodies of the southern US gentleman (if you can actually call them that) only even more so. Maybe it is my European heritage but I personally feel the Kingsmen are fairly cool where the drawling Statesmen are more on the silly side.
Once again Eggsy is the main character although I have to say that I personally like Harry, the original Galahad, much more. He has much more charisma, elegans and smarts. Since he is portrayed on the movie posters I guess it is not much of a spoiler when I say that, to my delight, the rumors of his death were greatly exaggerated. Unfortunately Eggsy is sometimes quite cool and plays his British gentleman role quite well and sometimes he is just dumb as a doornail.
Poppy Adams is okay but she is bordering on the ludicrous too much for my taste. The we have a certain English artist, a Sir no less. I do not know how much they had to pay to get him to take part in this movie but I am fairly sure I would consider it too much. He was just silly as far as I am concerned.
The movie is of course loaded with gadgets, most of them of the variety that makes noises of varying levels of loudness usually resulting in one or more bad guys biting the dust. It is almost gadget overload but I really liked. Sometimes this amount of totally unbelievable gadgets is dragging down the movie more than anything but in this one it was mostly a success. To me Harry and the gadgetry is what makes this movie.
Given that I am originally from Sweden I have mixed feelings about Eggsy’s girlfriend and the Swedish royalties. I guess those parts were okay but I could have been without them as well. At least I feel that however wrote the scene with the “royal” dinner could have read up on Swedish etiquette. Knocking on a glass with your spoon, knife or fork means you are about to give a speech, NOT that you want the plates to be changed. A professional servant, and the Swedish royalty DO have professional servants, do not need to be told when to change plates.
The actual story is, well it is original at least but I would not rate it any higher than okay. It served as a vehicle for stringing together all the stunts and jokes so it served its purpose. The worst part of the story was that I was actually finding myself agreeing with the president. This might perhaps shock some people but I am sorry, if you are dumb enough to ingest that crap, which is also highly illegal, then I have no sympathy for you.
If you get upset about stupid plot details and plot holes then be prepared to be upset. There are plenty of them in this movie. To me it did not matter too much since this is not really a thriller or drama. It is a spy parody / comedy. Having said that it did piss me off a bit that this advanced organisation did not have brains enough to deal with the piece of equipment left in the London cab at the beginning of the movie. I mean, it was just soo obvious what would happen.
Anyway, on the whole this movie was great fun to watch. I hope we get another sequel. Perhaps one with a Japanese version of the Kingsmen? There ought to be plenty of cultural stereotypes to play on there.
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Gru and his wife Lucy must stop former '80s child star Balthazar Bratt from achieving world domination. Despicable Me 3 2017 review : Nothing will beat the first film. The originality fades with most sequels. Unfortunately this is more the rule rather than the exception. For the same reason, I hope they don't bother to create another "Rango". That was another fun and brilliant animation in my opinion. Kids will like it and by all means don't avoid it. Just don't have high expectations. **It's a family time!**
I'm not a fan of this film, except I always loved Minions, particularly their solo film before this one. That prequel was awesome, so much fun. But it's hard to believe, this franchise has already reached three films/parts. Yeah, the Minions helped to find its place among the animation fans, but in this film they were kind of ignored. That's the truth. They had less screenspace which directly affected the film and those who love them.
Gru is set to meet his twin brother, Dru, who is dreaming to be like his father, a supervillain. But now changed Gru is not interested to help his brother. Instead, he uses him to accomplish on what he had failed recently. Okayish story, but it had some good fun. It's almost given a hint about the possible plot for the next sequel. I think kids would enjoy it without expecting much. So a one time watchable film.
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Autobots and Decepticons are at war, with humans on the sidelines. Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Transformers: The Last Knight 2017 review : The _Transformers_ franchise has never been good. Some say that the series is "Dumb fun with good action and cool explosions. To me, that could maybe be used to describe only the third movie. The first one is promising and has a certain "child-like-wonder" appeal. But neither of them are truly **good**. The second _Transformers_ is meaningless garbage.
But when _Age of Extinction_ was released in 2014, the franchise hit new, abysmal lows. Watching _Transformers_ wasn't just a chore, it wasn't just boring, it was excruciating. It was so bad I felt nauseous. I was aggravated to the point of brimming with feelings of genuine anger. They say that if a film makes you feel something, that is a victory in itself. Be it sadness, excitement, intrigue, joy, hope, nostalgia, hysteria, love, fear, warmth - whatever - I tend to agree with that statement. What I felt in _Age of Extinction_ was not a victory. It was a failure. A Guinness Book of World Records level failure.
_Transformers: The Last Knight_, is at least that bad again.
Arguably worse.
I guess it didn't dedicate an entire character to being a justification for paedophilia, so it has that up on its predecessor.
_Final rating:½ - So bad it’s offensive. I may never fully recover._ Not surprisingly I expected this, the fifth installment, of the Transformers franchise to be pretty much crap. Especially after the abysmal fourth installment. To my great surprise I found it to be much less crappy than I expected.
I honestly do not understand why so many people seems to think this is one of the worst movies ever. The critics sure, especially the ones at Rotten Tomatoes, but I do not really care about those self proclaimed "critics". Ordinary viewers is another matter.
I mean, this is a transformers movie and it is directed by Michael Bay. That pretty much defines the movie from the start so what the heck did all those people complaining actually expect? That Michael Bay should suddenly care about things like script and stuff or anything else except big robots, special effects and explosions?
Personally I quite enjoyed this movie. Well, enjoyed in the context of watching a Transformers movie that is. I enjoyed the special effects, the robots, even the lousy jokes.
I did enjoy the tie in to the Pendragon myth and I thought the somewhat bizarre Sir Edmund Burton and his even more bizarre robot butler was great fun.
I laughed outright when I saw the World War 1 tank transformer. I was expecting the submarine transformer to actually transform though.
Maybe all those detractors of this movie are missing the bimbo with two and a half brain cells (yes I am being generous now) that used to be the lead female character in the Transformers movies but personally I quite liked that the leads in this movie was much more mature and actually showed some evidence of intelligence.
The story? Well, for a Transformers movie it is quite good. In any other context it would be somewhat...lacking. It did screw quite a bit with the Transformers timeline established in the first movies though. Oh, and for some nitpicking, the maximum operating altitude of those airplanes they used is 21 000 feet, not 12 000 feet.
Bottom line, I had great fun when watching this movie. With my low, and I mean LOW, initial expectations I was very pleasantly surprised. It is definitely a huge improvement over the fourth instalment. Soulless garbage. Must have been written in less then 15 minutes. How hard can it be to write an entertaining film about transforming alien robots? If you're Michael Bay, very hard indeed. And the jokes. Wow. The jokes. I cringed after each and everyone. So many attempts at humour falling flat on their faces and smashing all of their teeth on the floor. The makers of this movie should be forced into exile.
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Thor is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home-world and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela. Thor: Ragnarok 2017 review : _Ragnarok_ is a tough one to review completely without spoiler, so I'll keep this brief:
* I was bothered by a small number of things that happened in this movie. * I was in love with a large number of things that happened in this movie. * _Thor: Ragnarok_ is not the MCU's best movie. * _Thor: Ragnarok_ is the MCU's most fun movie. * Can we **please** have a worldwide ban on putting anything that happens in the third act of your movie, in said movie's trailers? Thank you for your time. 4 stars.
_Final rating:★★★★ - Very strong appeal. A personal favourite._ The Best CBM movie of 2017
The film is one of the most entertaining of the MCU films so far and a HUGE improvement over Thor: The Dark World. Cate Blanchett as the villainess Hela, the Goddess of Death, is a far better villain that TDW's lame Malekith. Kat Dennings' annoying Darcy and Natalie Portman's bland Jane are not missed at all. Instead, we get Tessa Thompson's badass Valkyrie, who can hold her own in a fight and isn't just there just as a love interest for Thor (Chris Hemsworth). Jeff Goldblum is hilarious as Grandmaster, who runs the gladiator fights on the planet Sakaar. But the real pleasure of the movie is watching the love-hate brother relationship between Thor and his adoptive brother, Loki (Tom Hiddleston). The relationship between the two men was the only redeeming feature of TDW, and it's great to see it expanded in this movie. Also great is seeing Thor buddy up with Bruce Banner/ Hulk (Mark Ruffalo). The only thing I didn't like about the movie was the fate of The Warriors Three. They deserved better than that. But otherwise, it's a great comic book movie. From minute one, Thor Ragnarok bursts onto the screen with a new found energy, style, Jeff Goldblum, beautiful use of colours and shot compositions, an amazing 80s inspired music score, and comedy that's actually funny. Somehow, Thor Ragnarok is both the darkest film in the entire MCU given that it deals with the destruction of an entire world, and the most lighthearted.
Thor Ragnarok is very much a Taika Waititi film that uses Marvel lore and characters. It has many shocking twists, turns, witty comedy, and pleasant re-introductions (and introductions) to some of the MCU's best characters that I can't wait to see more of. Oh, and did I mention this movie has Jeff Goldblum?! This movie sets a new bar for the MCU. It's funny, entertaining and VERY fun. It takes a completely different yet good turn from the past 2 movies and is a colourful blast. Too bad. I loved the first two Thor movies and was expecting that the third one will hold up to the quality of the first two. But I guess today it's really hard to pull off a trilogy that'll ring throughout the years like how the Wachowskis did with the Matrix. Marvel films are known for sneaking humor in between action sequences, but I don't know what they did with this one. The choreography was lame and I don't understand why Thor felt like he was trying too hard to be funny. Despite all the hate surrounding this movie, I actually enjoyed it. If you're as big of a fan of "Thor" like me, then you pretty much just like everything that comes out with him on it. Thor's character is great with the other Avengers, but he just doesn't do that well as a stand-alone character with his own storyline. It's sad because he had so much potential too. Story could've been great but it seemed to me that the writers got lazy with the script and just opted to feed Thor some cheesy humor that made him seem like this kid who was trying too hard to be funny instead of the GOD of Thunder the first two films built him up to be. I'm a big fan of Thor but I just couldn't bring myself to like what they did to him in this film. I get that he's going through tough times but turning him from being a thundering, huge god to a man-child who shoots lightning is such an insult to Thor. I know not a lot of people found the humor to be funny but my family and I actually loved it! As a big fan of stand-up comedy, I can say this one really delivered. Most of the jokes had perfect timing and executed in perfect deadpan. Would want another movie like this! I really don't understand why everyone's hating this movie. I remember myself and everyone else in the cinema, laughing our asses off all throughout the movie. Childish humor, the same fight scenes and although I gotta say that the plot was creative, it still didn't do it for me. This wasn't the Thor movie I expected. Seeing as Marvel did so well with the first two Thor films, I'm surprised this turned out to be a big joke. If you enjoy 8 year old humor and cheesy one-liners, then go ahead and watch this movie. Otherwise, go pick another film. Meh it passed the time. I honestly didn't hate the film but didn't find it to be as entertaining as the other films Marvel has already put out. This does it for me. I expected more from Thor as he is the God of Thunder and you could do so much with him but they weren't able to do that in this film. Thor's soundtrack was always cool, but not on this film. The two earlier Thor films had a more "godlike" tone to them. Why not keep that and use it with the third one? This is a huge downgrade for Thor.
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Title : Alien: Covenant Alien: Covenant genre : Horror, Science Fiction, Mystery Alien: Covenant crew : Dariusz Wolski, Ridley Scott, Ridley Scott, David Giler, John Logan, Janty Yates, Pietro Scalia, Walter Hill, Dan O'Bannon, Ronald Shusett Alien: Covenant release date : 20 May 19 9 9 Alien: Covenant runtime : 122 Minutes Alien: Covenant Crew : Dariusz Wolski, Ridley Scott, Ridley Scott, David Giler, John Logan, Janty Yates, Pietro Scalia, Walter Hill, Dan O'Bannon, Ronald Shusett Alien: Covenant cast : Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo, Jussie Smollett, Callie Hernandez, Amy Seimetz, Nathaniel Dean ========================ஜ۩۞۩ஜ==========================
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Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition. Alien: Covenant 2017 review : "At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."
Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.
Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.
Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.
He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.
We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.
Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.
That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.
I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.
We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.
Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.
The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.
The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.
It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.
The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.
The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.
Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.
But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.
Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.
There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.
So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A
I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.
What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."
Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.
Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._ **Limps along under the weight of its own importance.**
I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.
This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?
For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.
Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.
- Simon Quinlank I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien' Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations. Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2. Even the monkeys stood upright at some point.
Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.
Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.
Log cabin on the lake.
We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...
Crusoe and the pathogen.
From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.
Bed Bugs.
Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10 **Good robot! Bad robot!**
After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.
I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.
The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.
Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.
_7/10_ I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors. I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set. I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick. "Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon) Though Michael Fassbender did a sublime job and the movie itself was visually immersive, the actions of the main characters did not seem very smart. I could forgive the decision that the newly installed captain Oram (Billy Crudup) took about going to the unknown planet. But everything that happened after David cut his hair exactly the same way Walter head just makes you shake your head in amusement and think ‘Oh, come on!’. David, obsessed with the act of creation that had value in its end, uses any means available. It is remarkable that no one from the remaining crew has questioned imposter Walters’s identity and just carried on like the worst was left behind. Meanwhile, the last scene when Daniels (Katherine Waterston) realizes (finally!) that Walter is, in fact, David and she had totally screwed up with the thousands of colonizers and embryos on the ship… does give you slight goosebumps. I would hate to be in the shoes of a filmmaker that needs to please a rabid fan base. The "Star Wars" sequels are a perfect example of this. Ridley Scott has the same challenge with the "Alien" prequels which you see in user scores.
I loved "Prometheus" with its attempt at something bigger than just more face huggers and xenomorphs wreaking havoc. It was clear he was building a grander story to the eventual bridge to the original "Alien."
He continues that bigger story with "Alien: Covenant" and whether he meant to provide fan service or not, we get that with face huggers and xenomorphs. (No spoiler as both are in the trailers.)
Do yourself a favor and watch the short clip "Last Supper" (youtu.be/EkXgRlRao5I ) before you watch the movie. At only five minutes, it gives a better introduction of the Covenant crew than the movie does providing deeper emotional investment in these characters.
Ultimately "Alien Covenant" delivers an excellent, fast-paced sci-fi action horror thriller (yes, it hits that many genres) like only Ridley Scott can that continues exploring the "Prometheus" theme of creation.
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Title : Blade Runner 2049 Blade Runner 2049 genre : Science Fiction, Drama Blade Runner 2049 crew : Mark A. Mangini, Lucinda Syson, Roger Deakins, Hans Zimmer, Ridley Scott, Ridley Scott, Philip K. Dick, Hampton Fancher, Hampton Fancher, Francine Maisler Blade Runner 2049 release date : 26 May 19 5 3 Blade Runner 2049 runtime : 164 Minutes Blade Runner 2049 Crew : Mark A. Mangini, Lucinda Syson, Roger Deakins, Hans Zimmer, Ridley Scott, Ridley Scott, Philip K. Dick, Hampton Fancher, Hampton Fancher, Francine Maisler Blade Runner 2049 cast : Ryan Gosling, Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Harrison Ford, Jared Leto, Carla Juri, Lennie James, Dave Bautista ========================ஜ۩۞۩ஜ==========================
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Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years. Blade Runner 2049 2017 review : "Blade Runner 2049 embraces the enormous shadow cast by Blade Runner 1982 by crafting a vast immersion in scale and vision..."
Read the full review here: http://screen-space.squarespace.com/reviews/2017/10/5/blade-runner-2049.html In a wonderfully woeful world, a detective makes a sad attempt at a relationship, has the most inventive sex scene ever committed to screen, and grapples with an existential crisis as he does his work. This stuff, which could work as a standalone story, is so strong that this movie must be seen.
Unfortunately, the movie doesn't realise that the protagonist's everyday life is the best part, and instead focuses on a larger-than-life, goofy premise meant to tie 2049 to the original and set up another sequel, thus undermining what would otherwise be a gripping, intimate story. Hail to the Science Fiction gods as they came to their senses and granted upon the eagerly movie-going masses the long-awaited arrival of a stunning and opulent _Blade Runner_ sequel. Perhaps we should praise the understated genius and visionary mastermind Ridley Scott for his 1982 directorial accomplishment in serving up what appeared to be an underappreciated and overlooked SF thriller in its heyday over three decades ago only for it to emerge now as one of the greatest Science Fiction futuristic capers worthy of its cult classic following?
Maybe the long overdue kudos are reserved for the diehard nostalgic _Blade Runner_ bunch whose committed and fanatical fandom was the key catalyst for this undeniably brilliant, brainy, dazzling and polished presentation to resurface and give new vitalizing breath and striking energy to the Science Fiction genre in conception? Could it be possible that Hollywood simply saw opportunistic and healthy box office receipts to restart another pop cultural juggernaut from yesteryear’s cinematic scene?
Is there a returning Harrison Ford fixation/fetish blossoming courtesy of his past blockbuster film resume that boasts the obvious inclusion of prominent SF/adventure fantasy biggies such as both the _Star Wars_ phenomenon and the _Indiana Jones_ installments with _Blade Runner_ now taking up the matinee mantle?
Regardless of the film-making forces at hand or the key reasoning for this 164 minute visually arresting odyssey updated and packaged for bombastic _Blade Runner_ enthusiasts and dedicated SF connoisseurs the proof is in the proverbial pudding as **Blade Runner 2049** has made its auspicious presence known and succeeds thrillingly as an indelible wonderment in imagination, intrigue and intelligence.
Breathtakingly rich and vibrant in its overlong execution, **Blade Runner 2049** is a lustrous escapist epic that resonates with snappy pop, thought-provoking tendencies and atmospheric grittiness that soundly resonates. And yes…the participation of the aforementioned and omnipresent Ford reprising his role from 35 years ago is indeed the appealing and motivating factor to re-enter the anxiety-driven world of intrusive replicants, societal annihilation and the guessing game of humanity infiltration.
It seems that the intense workmanlike charm and structured suspense in the rebooted **Blade Runner 2049** has not missed a single beat as it colorfully brings its brand of contemplative tension and underlying humorous texture to this sumptuous spectacle. Importantly, the film’s philosophical edginess and saturated cynicism stays true to Scott’s unflinching vision of introspection about the valued properties of life and who are the chief architects of such a unique gift of existence. Consequently, speechless Science Fiction audiences once again are transfixed by the mesmerizing yet old adage about the rivaling ‘have’s and ‘have nots’ especially so vital in the gloomy squalor and doomsday darkness that Scott created so fervently in his vintage edition that set the stage for renegade blade runners in a power struggle with defiant, roguish replicants disastrously flirting with the sacred boundaries of humankind.
Filmmaker Denis Villeneuve (‘Arrival’, ‘Sicario’, ‘Prisoners’) has stepped into some pretty mighty cinematic shoes in dusting of the mothballs of _Blade Runner’s_ haunting and hedonistic past in an accomplished effort to bring forth a percolating potboiler of a challenging and imaginative hue to its succulent successor in 2049 with surging, exquisite aplomb. Screenwriters Michael Green (‘Alien: Covenant’, ‘Logan’) and Hampton Fancher (‘Blade Runner’, ‘The Minus Man’) manage to brilliantly convey the dystopian disillusionment as the caustic yet compelling commentary concerning the decline of humanity and how it is feverishly on the brink of non-existence. The fuzzy lines are crossed for the calculating chaos and corruptible wheels that are turning so aimlessly and shockingly. The sins of sinners, good, bad or indifferent, gloriously are stemmed in moodiness and mystery. Additionally, notably iconic cinematographer Roger Deakins (‘Fargo’) cultivates a dank, hazy-coated landscape where shadowy imagery compliments the dour suspicions of determined man versus durable machine co-existing in a hostile futuristic fantasy world of techno-dismal dimensions. Also, kudos are reserved for Hans Zimmer and Benjamin Wallfisch for their soaring, energetic score that undercuts the tension and turmoil.
In a nutshell, Ryan Goslin (Oscar-nominated for 2016’s ‘La La Land’) is a young blade runner known as ‘K’ whose mission is to track down veteran Rick Deckard (the returning Harrison Ford…also a former Oscar nominee) in the aftermath of a major uncovered secretive revelation that requires the missing senior badge-flashing blade runner’s undivided attention. The problem remains, however, is that Deckard has been out of circulation for three decades and so the search is on for K to hunt down the long-absent Deckard.
Indeed, Officer K’s critical and contemplative police work is, to mildly put it, seek out the about-to-expire, unpredictable and resistant replicants and eradicate them when necessary. The replicants, mechanical menaces with artificial intelligence that are living among the humans incognito, are the main focus of the LAPD and K enthusiastically is immersed in the manhunt for the hidden techno-tyrants with militant mindsets that could strike at any moment among the walking flesh. K strives to put them out of their mechanical misery as his sworn duty to serve and protect but he is handcuffed (no pun intended) by the political politeness and procedural proprieties as pushed by his boss Lt. Joshi (Robin Wright). Basically, K is under surveillance based on his fragile mental state and Joshi is the one to contain this gritty-minded cop’s wandering psyche.
Thankfully, there is undeniable texture and intensity that fortifies **Blade Runner 2049** due to the layered and complex story that effectively taps into the robust realm of man’s possible mercy call at the dominant feet of advanced and sophisticated technology. This observational sentiment certainly rings true in contemporary times as selective human beings feel lost, intimidated, overwhelmed and need to surrender to the mounting shifty pressures of an exposed society seemingly ruled by sinning opportunists on both sides of the shady aisle, mechanisms rendered equally with blood and bolts.
Refreshingly, **Blade Runner 2049** is devoutly cerebral in passion and old school perception. Oddly, Villeneuve’s mixture of science fictional roots and thought-provoking dramatic art house probing works while adding a realistic and somber milieu of existential foreshadowing. Gosling is gloriously geared as the hound dog-faced law enforcer too close for comfort on the fringe of film noir-style burnout as he gets embroiled deep into an abyss of head-scratching discoveries. Ford does not miss a single beat as the gravel-faced, handsome-aged Deckard saddled in adventurous mode despite the matured years since his early 80s heyday in the mundane, ground-breaking _Blade Runner_ blueprint from yesterday. Oscar winner Jared Leto (‘Dallas Buyers Club’) joyously lets it all hang out as the wickedly off-kilter character Niander Wallace. The feminine inclusion of Wright’s top policing babysitter Joshi and Ana de Armas as K’s love interest, Joi, are welcomed personalities. Ex-wrestler/actor Dave Bautista (hot off the ‘Guardians Of The Galaxy’ film series) is a larger-than-life specimen as always in proven popcorn blockbusters.
Convincingly well-structured, profound, purposeful and without a prosaic bone in its bountiful body **Blade Runner 2049** is stunningly sumptuous Science Fiction theater for the thinking man and for the progressive machinery master-blasters as well.
**Blade Runner 2049** (2017)
Warner Bros. Pictures
2 hrs. 44 mins.
Starring: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Ana de Armas, Sylvia Hoeks, Mackenzie Davis, Lennie James, Dave Bautista and Carla Juri
(c) **Frank Ochieng** (2017 The film was actually rather disappointing. As a film it was OK, but as a sequel to Blade Runner, it was terrible. There were some nice in-jokes and references, but overall low-brow junk masquerading as high-brow gold (it was directed by Villeneuve, so I really shouldn't have expected better, the only thing he's good at is making stupid people think they are clever). Everything seemed forced and unnatural. The plot was trite and cliched, and everything was very predictable. Totally a wasted opportunity ;^ Strikes a true balance between new and old. Denis Villeneuve has a perfect filmmaking record in my mind, and _Blade Runner 2049_ continues that trend with aplomb.
_Final rating:★★★★ - Very strong appeal. A personal favourite._ As a movie this is a very good movie. The scenery, the acting, the colors etc. are of a very high technical standard. To me personally however, this movie is much too dark and depressing for my taste.
I cannot say that I am surprised that the movie is dark. The first movie was a rather dark one after all and this one is a truly post-apocalyptic one. I quite liked the first movie despite its dark setting though. However this one takes the darkness and melancholy to an entirely new level.
As I said before, technically the movie is great. The scenery is stunning whether it is a dirty little hut out in the badlands or the equally dirty vast cityscapes. The scenes of the abandoned city where Decker is (re)introduced is sad but beautiful.
The acting is more or less great from all the main characters and the special effects are very well done and just right to fit with the rest of the movie.
Unfortunately I cannot bring myself to give it more than 3 out of 5 stars. It has nothing to do with the quality of the film but a lot to do with my personal taste which of course is reflected in my ratings. I don't understand what people like in this movie. It has some good things, but nothing much to deserve such big rating. Soundtracks & atmosphere are really good & it's well shot, however story is confusing & everything is all over the place. I still didn't understand what was the whole story of movie and it is extremely slow & prolonged. Very small amount of talking & a lot observing moments. Every minor action is prolonged. Like you see man laying in the snow for a few minutes & etc... I didn't like the movie & it took more than 2:30 hours of torture and boredom...
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Title : Baywatch Baywatch genre : Action, Comedy, Crime Baywatch crew : Thomas Lennon, John Papsidera, Shepherd Frankel, Colin Strause, Greg Strause, Ivan Reitman, Paul Hughen, Elmo Weber, Catherine Harper, Beau Flynn Baywatch release date : 28 April 19 9 9 Baywatch runtime : 116 Minutes Baywatch Crew : Thomas Lennon, John Papsidera, Shepherd Frankel, Colin Strause, Greg Strause, Ivan Reitman, Paul Hughen, Elmo Weber, Catherine Harper, Beau Flynn Baywatch movie cast : Dwayne Johnson, Zac Efron, Alexandra Daddario, Kelly Rohrbach, Priyanka Chopra, Jon Bass, Ilfenesh Hadera, Rob Huebel, Yahya Abdul-Mateen II, John Cenatiempo ========================ஜ۩۞۩ஜ==========================
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Devoted lifeguard Mitch Buchannon butts heads with a brash new recruit. Together, they uncover a local criminal plot that threatens the future of the Bay. Baywatch 2017 review : Baywatch is a movie based off the popular TV show of the same name which launched the careers of such acting talents as Yasmine Bleeth and Pam Anderson. And then those quickly died right afterwards but hey, the show ran like 11 years and…little known fact, Jason Mamoa was on spin-off show Baywatch: Hawaii.
The movie is very much like the show; as in if you walk in expecting to take it seriously you're already watching it wrong. The situations people need to be rescued from are just as ridiculous and far-fetched and the main plot here gets far more convoluted and hackneyed than the average day of any real lifeguard.
And like 21 Jump Street and a bunch of lesser TV to movie adaptations, this seeks to make fun of all of it, plus all the slo-mo beach running. Does it come off as good as Jump Street? No. Do we need this? God no. I mean didn't the show basically already make fun of itself enough as it is?
But all I can say here, and I guess the only thing anyone interested in this might want to know is, it could have been so much worse. I'm not saying this is the best movie of the summer so far. I don't really even know if i'm saying this is a good movie. But it's easy enough to sit through and the laughs, while not great, are consistent.
Where the script sucks, the cast knows how to make fun of itself. The Rock is the head honcho who takes the job very seriously. Zac Efron is the selfish, cool pretty boy new trainee who clashes with him. Both have a plethora of jokes for one another that work with varying degrees of success.
There's a fat lifeguard and the movie takes the shots you would expect it to take but actor Jon Bass also does have some comedic talent here in the Josh Gadd sense of the word. Actually he may even be funnier than Josh Gadd. Point is he works the best here from a comedic perspective.
The movie gives us quite a few dick jokes but this dude actually has one embarrassing moment that may rank up there with "There's Something About Mary", just with not as good a payoff.
Hannibal Burress also gets a couple scenes for a cameo and I love when he gets those. It's time for Burress to headline a movie though.
The women aren't as funny but I guess you can say they add some nice support to that and the action. Alexandra Daddario has shown a few times she's a pretty decent actress, and the others don't just seem like stiffs there to just show off a hot body. Priyanka Chopra is also here as the villain, and she's fine.
The whole movie can really be described as fine. It's funny and doesn't take itself too seriously and the cast all seems game for it. You don't have to see, but if you do, know it's already planning on sequels.
So I go 6 out of 10 on this one. For more reviews, check me out on Youtube at- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A
Yes, you're all very, very attractive, can we have something else too please?
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._ **When lifeguards turned homicides!**
In the 90s, when the original television series was aired, I was just a kid. Then it was too sexy, that I was not allowed to watch. The world has changed so much all these years. I always wanted to see that, but never had a chance. Now a film, possibly a new franchise if it all goes well. There were lots of expectations on it, but the film did not deliver that. Yet they have already announced a sequel.
The bay security team is now recruiting new members. Three joins as the trainee after the tryout. Within a few days, a couple of suspicious deaths happen in the bay. The cops are not worried to solve it, but the Baywatch team jumps in and starts their own investigation. That leads them to a dangerous territory. From there, how they deal with it was revealed with some action-thriller.
Pumped up body, starring alongside a current top star, nothing is working for Zac Efron. He's just an accidental actor, won't survive long, unless he turns it all his way like Ben Afflect did. On the other hand, Dwayne was awesome. All the other actors too. Priyanka was not ideal for such role. Because an Indian in a negative role for an American film, nah, it does not work. India keeps all the thugs and sends only engineers, doctors, scientist et cetera to the foreign lands. A Chinese or a Russian villain works better.
No suspense. Everything was open from the beginning itself. Some of the comedies were good, but some were most absurd. Especially, I did not like the storyline. The Bay security force not doing their job, but police work. It goes completely out of the frame. It's okay doing same within their enclosure, but the film entered beyond that. Thus, the film missed to cover the beach events as what the title had promised. I hope the sequel would fall in line.
_3/10_ It has a couple of decent moments, but 'Baywatch' is mostly uninspiring.
For a comedy, it takes itself way too seriously in parts. None of the heartfelt stuff really lands, while a lot of the humour is over reliant on sexual innuendo. The premise is followable, if entirely predictable. The cast is oversized, way too many characters. Dwayne Johnson and Zac Efron are good enough in their respective roles as Mitch and Matt.
Summer (Alexandra Daddario) and Victoria (Priyanka Chopra) are alright but underdeveloped, as is Stephanie (Ilfenesh Hadera). C. J. (Kelly Rohrbach) and Ronnie (Jon Bass), meanwhile, are annoying and extremely pointless. Yahya Abdul-Mateen II (Ellerbee) is solid in a small role.
I've never watched the original television series so maybe I missed a few callbacks etc., while there are two (incredibly forced) cameos from it. If it stayed at what it should be - a comedy - then I may have liked this, I simply didn't though.
Not terrible, but I still wouldn't say you should rush to see this.
Posted by naifa1717
Posted on December 01, 2020
with No comments
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